DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are often yearning romantics, with this particular distinction: Buster seems a plausible mate, as well as Tramp barely appears to possess a libido, only idealized notions. If their comedies were manufactured in a far more liberated time, it is possible to assume Keaton in bed with a lady, but disquieting to think of the Tramp being a sexual ge